Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in continuous stress: the push for softer, more breathable prints that individuals actually take pleasure in using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has actually shaped how I choose inks, pretreatments, and fabrics for customized clothing jobs. For many years, I have actually learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce gorgeous results and real convenience, particularly for T shirt printing that needs to withstand daily wear.
If you run a brand, manage bulk t t-shirt orders, or just desire your personalized t-shirts to feel like a preferred from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal option can make the difference between a t-shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks take in into the fibers. That single characteristic describes most of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often equivalent from the shirt itself. For customized t t-shirts designed for convenience, this is the path to the "retail feel" customers ask for.
There are two main households: standard water based and discharge. Basic water based ink works best on white or really light shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either require a heavier print or you switch to discharge. Release printing uses an activator that raises the color from the fabric throughout curing, basically whitening the shirt's dye in the printed areas, then changes it with your pigment. Completion result is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks usually contain fewer unpredictable organic compounds than solvent-heavy options and avoid PVC completely. Lots of are certified with strict requirements like Oeko-Tex or satisfy retail screening regimes that prohibit specific phthalates and heavy metals. If you offer custom clothing into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You also need to look at shop practices: filtering on your washout cubicle, reclaim chemistry, energy usage on your dryer, and even fabric sourcing. Discharge needs an activator, normally based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run store, direct exposure is controlled and waste is caught. If you're utilizing print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and treating controls called in. Real sustainability hides in the details.
Most people do not purchase a graphic tee due to the fact that they enjoy the ink. They purchase it due to the fact that the garment looks good, feels excellent, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, provide you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you extend across the chest.
I keep a rack of comparison t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under extreme light, which some streetwear clients prefer, but the wearer feedback corresponds: water based seems like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different dye lots discharge in a different way, even within the same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, however you're still working with a background that is moving as the color is removed.
That's not a defect, it's part of the medium. Many designers embrace the a little classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color reproduction for corporate logos, either order test prints on the exact batch you plan to utilize or consider a water based underbase or hybrid method where required. For wholesale t t-shirts that will be distributed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton part. That indicates your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, brilliant color on a poly blend, conventional plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on completed garments, expect little spaces along joints, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which is useful on fabric however can lock a mesh if you stop briefly too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting option at hand, and keep the print space humidity in a constant range, approximately 45 to 55 percent, to prevent early drying. Manual press operators will see how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent rate, minimize clogging.
Curing is where many beginners miss the mark. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the distinction. You want even heat across the belt and sufficient dwell to reach the producer's remedy temperature level throughout the ink layer, not simply at the surface area. Shirts leaving the tunnel ought to be dry to the touch without any cool areas. For discharge, the chain reaction happens throughout this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon proper treatment and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual evaluation for fading and breaking. Water based prints show gradual softening and a mild fade in the very same way denim unwinds. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For individualized t-shirts that require to look good at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, autos perform at comparable speeds. Where it actually settles is in viewed value. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs over night turn-around and art modifications constantly, direct-to-garment or DTF may be much better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t shirts with several colorways and need to keep stock versatile, a flexible water based palette on light garments is effective, considering that you avoid the weight and tightness that collect with several underbases in plastisol.
Design preparation starts with the material color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can fill out with discharge, particularly on high-absorbency cotton. If you need razor negative area, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than trusting a digital mockup. A mockup can not capture fiber interplay and color lift.
There are times I advise versus discharge. Polyester-rich custom t shirts garments are top of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed performance shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor smell throughout curing, discharge days in the store are visible. Well-managed air flow reduces this, however it belongs to the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that gets rid of uncertainty. A basic approach keeps surprises at bay and assists you struck deadlines for launches and events.
Print on demand has its own constraints: fast art modifications, little batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange brochure technique. For designs that are high volume even at small everyday quantities, pre-burning screens and keeping a little stock of popular sizes lets you ship exact same day with water based prints that feel much better than numerous DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I describe what they are purchasing. They get the soft hand that retail clients equate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, often a little uplift that can be neutralized by selecting a somewhat more affordable blank. If the program is for wholesale t t-shirts entering into stores or e-commerce at premium cost points, the improvement in viewed value more than covers the change.
For individualized shirts, such as charity runs or college clubs, options matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it basic and sensible so the shirt survives reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will endure typical laundering if effectively cured. I suggest phrasing care pointers in human terms on item pages: wash cold with comparable colors, topple dry low, prevent material softeners if you want colors to remain crisp. The last note matters due to the fact that some conditioners can deposit movies on fibers, dulling the visual contrast of fine lines.
I have actually checked these instructions in-house: 2 similar t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat much faster fading of mid-tones, yet still looked excellent. That tolerance comes from right treatment, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating seams, style for them. Use tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brand names that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The ended up garments read as customized from a distance, which is the goal.
One spring we ran a series for a regional music festival. The client wanted soft black tees with a sunburst print that felt like it lived in the fabric. We tested on 3 blacks from two mills. Batch one lifted cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The result: constant tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temperature for the best duration. Utilize a donut probe or an ingrained thermochromic strip to measure real ink film temperature, not just dryer setpoints. Screen lockup is the second. Keep a constant speed on press, flood in between prints, and control store humidity.
A third pitfall is ignoring material irregularity. If you change blanks mid-run because a size is out of stock, you might see shifts in color. Construct contingency into your acquiring. For brands preparing ahead, selecting a basic blank and locking it with your supplier reduces surprises.
If your top priority is soft, breathable custom-made garments that clients keep using, water based inks deserve the knowing curve. Use basic water based upon light garments for clean information and matte color. Transfer to release on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and plan for slight color difference with discharge, specifically across dye lots. For bulk t t-shirt orders, build in a single round of physical sampling on the actual blanks you will utilize, then record your settings and keep back a referral t-shirt for quality control.
If you run a print as needed brochure, take a water based pill of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why they are worthy of a place in any major shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515