Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that individuals really enjoy wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has shaped how I select inks, pretreatments, and fabrics for custom garments projects. Over the years, I have actually learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce beautiful results and genuine convenience, particularly for T shirt printing that needs to stand up to daily wear.
If you run a brand, handle bulk t shirt orders, or just want your customized t-shirts to seem like a preferred from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The best option can make the distinction in between a t-shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than cheap t shirt printing in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks absorb into the fibers. That single characteristic discusses the majority of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the shirt itself. For custom-made t shirts developed for comfort, this is the course to the "retail feel" customers ask for.
There are two primary families: standard water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either need a much heavier print or you change to discharge. Release printing uses an activator that raises the color from the material throughout curing, basically bleaching the shirt's color in the printed areas, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, typically with exceptional detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically include less unpredictable organic compounds than solvent-heavy options and prevent PVC altogether. Numerous cotton t shirts are certified with rigorous requirements like Oeko-Tex or meet retail testing regimes that prohibit specific phthalates and heavy metals. If you sell customized clothing into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also need to look at store practices: filtering on your washout cubicle, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is managed and waste is caught. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability conceals in the details.
Most individuals do not purchase a graphic tee due to the fact that they like the ink. They buy it since the garment looks excellent, feels excellent, and keeps that character after duplicated washing. Water based inks, consisting of discharge, provide you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes obtain from heavy plastisol when you extend across the chest.
I keep a shelf of contrast shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients choose, however the user feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light shirts, basic water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Different dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, but you're still working with a background that is moving as the color is removed.
That's not a defect, it becomes part of the medium. Lots of designers welcome the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color recreation for business logos, either order test prints on the precise batch you plan to utilize or think about a water based underbase or hybrid technique where needed. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only lifts the cotton portion. That suggests your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vivid color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you need to print on ended up garments, expect small spaces along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which is useful on material however can lock a mesh if you stop briefly too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting option at hand, and keep the print room humidity in a steady range, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent speed, decrease clogging.
Curing is where many novices fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with sufficient air flow makes the difference. You desire even heat throughout the belt and adequate dwell to reach the producer's remedy temperature level throughout the ink layer, not simply at the surface. Shirts leaving the tunnel ought to be dry to the touch without any cool areas. For discharge, the chain reaction occurs throughout this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on correct cure and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual inspection for fading and cracking. Water based prints show steady softening and a mild fade in the same method jeans relaxes. Plastisol's failure mode is various, usually splitting if the ink layer is too thick or under-cured. For individualized shirts that require to look proficient at a family reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is often similar to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be slightly slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, autos perform at comparable speeds. Where it truly settles remains in viewed worth. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires overnight turnaround and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel compromises. When you take on wholesale t t-shirts with multiple colorways and must keep inventory versatile, a flexible water based scheme on light garments is effective, since you avoid the weight and DTG printing tightness that accumulate with several underbases in plastisol.
Design preparation begins with the material color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill out with discharge, specifically on high-absorbency cotton. If you need razor negative space, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than trusting a digital mockup. A mockup can not capture fiber interplay and color lift.
There are times I encourage versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, particularly with sublimated or cationic-dyed performance shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor odor throughout treating, discharge days in the shop are noticeable. Well-managed air flow reduces this, however it belongs to the process.
If a customer needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the impact is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that gets rid of guesswork. A simple approach keeps surprises at bay and assists you struck deadlines for launches and events.
Print on demand has its own restraints: fast art changes, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you organize catalog strategy. For designs that are high volume even at small daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol task, I describe what they are buying. They get the soft hand that retail customers correspond with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, frequently a small uplift that can be neutralized by selecting a somewhat more economical blank. If the program is for wholesale t shirts going into stores or e-commerce at exceptional cost points, the enhancement in perceived value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Fulfilling both lets you serve a broader market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it simple and reasonable so the t-shirt survives real life. Water based and discharge prints choose cooler washes and lower dryer heat, but they will endure regular laundering if correctly cured. I recommend phrasing care pointers in human terms on product pages: wash cold with similar colors, tumble dry low, avoid material softeners if you want colors to remain crisp. The last note matters since some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.
I have actually evaluated these directions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little faster fading of mid-tones, yet still looked good. That tolerance originates from right cure, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of battling seams, design for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that sell limited runs can validate cut-and-sew for 100 to 300 pieces if the design warrants it. The finished garments check out as custom from a range, which is the goal.
One spring we ran a series for a local music festival. The client wanted soft black tees with a sunburst print that seemed like it resided in the material. We tested on 3 blacks from two mills. Batch one raised easily with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The result: constant tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the ideal duration. Use a donut probe or an embedded thermochromic strip to determine real ink movie temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a constant pace on press, flood in between prints, and control shop humidity.
A 3rd mistake is overlooking material irregularity. If you change blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Build contingency into your acquiring. For brands planning ahead, choosing a standard blank and locking it with your provider lowers surprises.
If your top priority is soft, breathable customized clothing that consumers keep using, water based inks deserve the knowing curve. Use standard water based upon light garments for clean information and matte color. Transfer to release on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and plan for minor color difference with discharge, particularly throughout color lots. For bulk t t-shirt orders, integrate in a single round of physical tasting on the actual blanks you will use, then document your settings and keep back a referral t-shirt for quality control.
If you operate a print on demand brochure, carve out a water based capsule of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels absolutely nothing however fiber, you have actually won. That's the minute water based and discharge deliver, and why they are worthy of a location in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515