Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that individuals really enjoy using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That stress has shaped how I select inks, pretreatments, and materials for custom clothing projects. Throughout the years, I have actually learned that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful outcomes and real convenience, specifically for T shirt printing that requires to withstand everyday wear.
If you run a brand name, handle bulk t shirt orders, or just desire your tailored shirts to seem like a favorite from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The right option can make the distinction in between a t-shirt that gets used once and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks absorb into the fibers. That single characteristic describes the majority of the benefits and trade-offs. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently equivalent from the shirt itself. For custom t shirts developed for convenience, this is the path to the "retail feel" customers ask for.
There are two primary households: basic water based and discharge. Basic water based ink works best on white or really light t-shirts. It can cover mid-tones with the ideal base, once you move into darker materials, you either need a much heavier print or you change to release. Release printing uses an activator that lifts the color from the material throughout treating, essentially bleaching the t-shirt's dye in the printed areas, then changes it with your pigment. Completion result is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks normally contain fewer volatile organic compounds than solvent-heavy options and prevent PVC altogether. Many are certified with rigorous standards like Oeko-Tex or satisfy retail screening routines that prohibit certain phthalates and heavy metals. If you sell custom-made clothing into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You also need to look at shop practices: purification on your washout booth, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is caught. If you're using print on demand with a partner, ask how T shirt printing designs they deal with discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability hides in the details.
 
Most people do not purchase a graphic tee because they love the ink. They buy it because the garment looks good, feels good, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, offer you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often get from heavy plastisol when you stretch across the chest.
I keep a shelf of contrast t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear customers prefer, but the wearer feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the fabric's own color. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Various dye lots discharge in a different way, even within the exact same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while Jacksonville T shirt printing online the next batch clears to a cooler grey. The pigment you include steers the last color, but you're still working with a background that is moving as the dye is removed.
That's not a defect, it becomes part of the medium. Lots of designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color reproduction for business logos, either order test prints on the precise batch you prepare to use or think about a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your process so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only raises the cotton part. That suggests your color saturates the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, vivid color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you must print on ended up garments, expect little voids along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry quicker in the screen, which works on fabric but can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a constant variety, roughly 45 to 55 percent, to avoid early drying. Manual press operators will discover how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant pace, reduce clogging.
Curing is where numerous newbies miss the mark. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with sufficient air flow makes the distinction. You want even heat throughout the belt and sufficient dwell to reach the manufacturer's remedy temperature level throughout the ink layer, not simply at the surface. T-shirts exiting the tunnel needs to be dry to the touch without any cool areas. For discharge, the chain reaction happens during this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon proper cure and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and cracking. Water based prints show gradual softening and a mild fade in the exact same method jeans relaxes. Plastisol's failure mode is various, typically breaking if the ink layer is too thick or under-cured. For customized t-shirts that require to look proficient at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, but the economics fall into familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, cars run at similar speeds. Where it truly settles remains in viewed worth. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires overnight turnaround and art modifications constantly, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t shirts with numerous colorways and must keep stock flexible, a versatile water based palette on light garments is efficient, since you avoid the weight and stiffness that collect with several underbases in plastisol.
Design planning starts with the material color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color looks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can complete with discharge, particularly on high-absorbency cotton. If you need razor unfavorable area, separate the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than trusting a digital mockup. A mockup can not catch fiber interaction and color lift.
There are times I advise versus discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed efficiency t-shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor smell throughout curing, discharge days in the store are obvious. Well-managed airflow mitigates this, but it belongs to the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles frequently sink, and the result is more satin than real metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that gets rid of guesswork. An easy approach keeps surprises at bay and helps you hit due dates for launches and events.
Print as needed has its own restraints: quick art changes, little batch sizes, and the requirement for a broad color range. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange brochure technique. For designs that are high volume even at little everyday amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship very same day with water based prints that feel much better than numerous DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I explain what they are purchasing. They get the soft hand that retail consumers correspond with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a basic three-color front hit might be modest, often a little uplift that can be neutralized by selecting a somewhat more affordable blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at exceptional rate points, the improvement in perceived value more than covers the change.
For individualized shirts, such as charity runs or college clubs, choices matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it basic and practical so the shirt survives real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, however they will sustain normal laundering if effectively treated. I suggest phrasing care ideas in human terms on item pages: wash cold with comparable colors, topple dry low, prevent material softeners if you desire colors to stay crisp. The last note matters since some softeners can transfer films on fibers, dulling the visual contrast of fine lines.
I've tested these instructions in-house: two similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat faster fading of mid-tones, yet still looked great. That tolerance originates from proper remedy, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting joints, design for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brands that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The ended up garments check out as customized from a range, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that felt like it resided in the material. We tested on three blacks from 2 mills. Batch one raised cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the best duration. Utilize a donut probe or an ingrained thermochromic strip to determine true ink film temperature, not just dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood between prints, and control shop humidity.
 
A 3rd mistake is overlooking fabric variability. If you switch blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Build contingency into your purchasing. For brands planning ahead, selecting a basic blank and locking it with your supplier decreases surprises.
If your concern is soft, breathable customized garments that clients keep using, water based inks are worth the knowing curve. Use standard water based upon light garments for tidy detail and matte color. Move to discharge on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and plan for small color difference with discharge, especially across dye lots. For bulk t shirt orders, build in a single round of physical sampling on the real blanks you will use, then record your settings and hold back a recommendation t-shirt for quality control.
If you run a print as needed brochure, carve out a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they deserve a location in any serious shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515