Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that individuals really enjoy wearing, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That stress has actually formed how I select inks, pretreatments, and fabrics for custom-made apparel tasks. Throughout the years, I have actually found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce lovely outcomes and real convenience, particularly for T t-shirt printing that needs to withstand everyday wear.
If you run a brand name, manage bulk t shirt orders, or simply desire your tailored shirts to seem like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The right choice can make the distinction between a t-shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks take in into the fibers. That single characteristic explains the majority of the advantages and compromises. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often equivalent from the t-shirt itself. For custom t shirts developed for comfort, polyester DTG compatibility this is the course to the "retail feel" clients ask for.
There are two main families: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either require a heavier print or you switch to release. Release printing uses an activator that raises the dye from the fabric throughout curing, essentially bleaching the shirt's dye in the printed locations, then replaces it with your pigment. The end result is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally include less volatile organic compounds than solvent-heavy alternatives and avoid PVC altogether. Many are certified with strict standards like Oeko-Tex or fulfill retail testing regimes that prohibit particular phthalates and heavy metals. If you sell customized apparel into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You likewise require to look at store practices: purification on your washout cubicle, recover chemistry, energy use on your dryer, and even material sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation requirements. In a well-run store, exposure is controlled and waste is captured. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability conceals in the details.
Most individuals do not buy a graphic tee because they love the ink. They buy it due to the fact that the garment looks great, feels good, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, provide you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases receive from heavy plastisol when you stretch throughout the chest.
I keep a shelf of comparison t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear customers prefer, but the wearer feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light shirts, standard water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different dye lots discharge in a different way, even within the exact same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, however you're still dealing with a background that is moving as the color is removed.
That's not a flaw, it's part of the medium. Many designers accept the somewhat classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color recreation for corporate logo designs, either order test prints on the specific batch you prepare to use or consider a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton part. That suggests your color saturates the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks intentional if you style for it. If your goal is flat, vivid color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.

On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and irregular pressure that appear as blank micro-gaps. If you should print on completed garments, anticipate little voids along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry faster in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a stable variety, approximately 45 to 55 percent, to prevent early drying. Manual press operators will notice how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, decrease clogging.
Curing is where lots of novices fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with enough air flow makes the difference. You want even heat across the belt and enough dwell to reach the manufacturer's remedy temperature throughout the ink layer, not just at the surface area. T-shirts exiting the tunnel must be dry to the touch without any cool areas. For discharge, the chain reaction takes place throughout this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on proper treatment and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and cracking. Water based prints reveal progressive softening and a mild fade in the same way denim unwinds. Plastisol's failure mode is different, generally breaking if the ink layer is too thick or under-cured. For customized t-shirts that require to look proficient at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall into familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be a little slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, automobiles perform at similar speeds. Where it truly pays off is in perceived value. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires overnight turnaround and art modifications continuously, direct-to-garment or DTF may be better operationally, though both DTG printer cost have their own ecological and feel compromises. When you handle wholesale t t-shirts with numerous colorways and should keep stock versatile, a versatile water based combination on light garments is efficient, since you prevent the weight and stiffness that collect with numerous underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color looks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can fill in with discharge, especially on high-absorbency cotton. If you require razor negative space, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than trusting a digital mockup. A mockup can not capture fiber interplay and color lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed performance t-shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor smell throughout treating, discharge days in the shop are visible. Well-managed air flow mitigates this, however it becomes part of the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles often sink, and the impact is more satin than real metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that eliminates uncertainty. An easy method keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own restrictions: fast art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange brochure strategy. For designs that are high volume even at small day-to-day amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver exact same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Clients who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol task, I explain what they are buying. They get the soft hand that retail customers equate with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, typically a little uplift that can be reduced the effects of by selecting a slightly more economical blank. Underbase white If the program is for wholesale t t-shirts going into boutiques or e-commerce at exceptional rate points, the improvement in viewed value more than covers the change.
For personalized shirts, such as charity runs or college clubs, options matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for expense, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it simple and reasonable so the t-shirt survives reality. Water based and discharge prints choose cooler washes and lower dryer heat, however they will sustain regular laundering if correctly cured. I suggest phrasing care tips in human terms on item pages: wash cold with similar colors, tumble dry low, prevent material conditioners if you want colors to stay crisp. The last note matters since some softeners can deposit films on fibers, dulling the visual contrast of fine lines.
I've tested these directions in-house: two identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little quicker fading of mid-tones, yet still looked good. That tolerance originates from proper remedy, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating seams, design for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brand names that sell restricted runs can validate cut-and-sew for 100 to 300 pieces if the style requires it. The completed garments read as custom-made from a range, which is the goal.
One spring we ran a series for a local music festival. The customer desired soft black tees with a sunburst print that felt like it resided in the fabric. We sampled on three blacks from 2 mills. Batch one raised cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temperature for the right duration. Utilize a donut probe or an embedded thermochromic strip to determine true ink film temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood in between prints, and control store humidity.
A 3rd risk is ignoring fabric irregularity. If you switch blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Develop contingency into your buying. For brands planning ahead, selecting a basic blank and locking it with your provider minimizes surprises.
If your priority is soft, breathable customized apparel that customers keep wearing, water based inks deserve the learning curve. Use basic water based on light garments for clean detail and matte color. Move to discharge on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for slight color variance with discharge, specifically throughout color lots. For bulk t t-shirt orders, build in a single round of physical tasting on the actual blanks you will use, then record your settings and hold back a reference shirt for quality control.
If you run a print on demand brochure, carve out a water based pill of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a client rubs their thumb across a print and feels nothing however fiber, you have actually won. That's the moment water based and discharge deliver, and why they are worthy of a place in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515