Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that individuals actually enjoy wearing, and the need to produce at scale without compromising the environment or the bottom line. That tension has formed how I pick inks, pretreatments, and materials for custom apparel projects. Over the years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce lovely results and genuine comfort, especially for T t-shirt printing that needs to withstand day-to-day wear.
If you run a brand name, manage bulk t t-shirt orders, or merely desire your customized t-shirts to feel like a favorite from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The ideal option can make the distinction in between a t-shirt that gets worn once and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a film, water based inks absorb into the fibers. That single characteristic describes most of the advantages and compromises. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently indistinguishable from the shirt itself. For customized t t-shirts developed for convenience, this is the path to the "retail feel" customers ask for.
There are two primary households: standard water based and discharge. Standard water based ink works best on white or really light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either require a much heavier print or you change to release. Release printing uses an activator that lifts the color from the material during treating, basically whitening the t-shirt's dye in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks usually consist of fewer unstable natural compounds than solvent-heavy alternatives and avoid PVC completely. Lots of are certified with strict standards like Oeko-Tex or satisfy retail testing regimes that prohibit specific phthalates and heavy metals. If you sell custom apparel into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You also require to look at store practices: filtering on your washout booth, recover chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, typically based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is recorded. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability conceals in the details.
Most people do not purchase a graphic tee due to the fact that they like the ink. They buy it due to the fact that the garment looks good, feels good, and keeps that character after duplicated washing. Water based inks, including discharge, offer you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases receive from heavy plastisol when you stretch throughout the chest.
I keep a shelf of comparison shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear clients choose, however the user feedback is consistent: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, however you're still working with a background that is shifting as the dye is removed.
That's not a flaw, it's part of the medium. Many designers accept the slightly vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color reproduction for corporate logos, either order test prints on the specific batch you prepare to use or think about a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be distributed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just lifts the cotton portion. That suggests your color saturates the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vivid color on a poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you should print on finished garments, anticipate little spaces along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry faster in the screen, which is useful on material however can lock a mesh if you pause too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting option at hand, and keep the print room humidity in a constant variety, approximately 45 to 55 percent, to prevent early drying. Manual press operators will see how quickly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent rate, reduce clogging.
Curing is where many beginners fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the distinction. You desire even heat across the belt and enough dwell to reach the producer's remedy temperature level throughout the ink layer, not simply at the surface area. Shirts leaving the tunnel ought to be dry to the touch with no cool spots. For discharge, the chain reaction occurs during this cure, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and breaking. Water based prints show progressive softening and a mild fade in the very same way jeans relaxes. Plastisol's failure mode is different, generally cracking if the ink layer is too thick or under-cured. For tailored t-shirts that require to look good at a family reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, however the economics fall into familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, cars perform at comparable speeds. Where it actually settles is in perceived value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turnaround and art changes continuously, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel compromises. When you take on wholesale t shirts with numerous colorways and should keep stock flexible, a flexible water based combination on light garments is effective, considering that you avoid the weight and stiffness that build up with multiple underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can fill out with discharge, specifically on high-absorbency cotton. If you need razor negative area, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than trusting a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I recommend versus discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, especially with sublimated or cationic-dyed efficiency t-shirts, causing ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor smell during treating, discharge days in the shop are obvious. Well-managed airflow reduces this, however it belongs to the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the effect is more satin than true metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that gets rid of guesswork. A simple approach keeps surprises at bay and assists you struck due dates for launches and events.
Print on demand has its own restrictions: fast art modifications, little batch sizes, and the need for a broad color gamut. Direct-to-garment has become the default, however water based screen printing can fit POD if you organize brochure technique. For styles that are high volume even at little daily amounts, DTF and embroidery combo pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel much better than lots of DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol task, I describe what they are purchasing. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a standard three-color front hit may be embroidery shirts modest, frequently a little uplift that can be reduced the effects of by choosing a somewhat more affordable blank. If the program is for wholesale t shirts going into stores or e-commerce at exceptional price points, the improvement in viewed value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, alternatives matter. Offer a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels often read like legal disclaimers. Keep it basic and sensible so the t-shirt makes it through real life. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will sustain normal laundering if properly treated. I recommend phrasing care suggestions in human terms on item pages: wash cold with similar colors, tumble dry low, prevent fabric conditioners if you want colors to stay crisp. The last note matters because some softeners can transfer movies on fibers, dulling the visual contrast of great lines.
I've tested these directions in-house: 2 similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly quicker fading of mid-tones, yet still looked excellent. That tolerance originates from proper treatment, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting joints, design for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the style necessitates it. The finished garments check out as custom-made from a distance, which is the goal.
One spring we ran a series for a local music celebration. The customer desired soft black tees with a sunburst print that felt like it resided in the fabric. We sampled on three blacks from 2 mills. Batch one raised cleanly with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The result: constant tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink family. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temp for the right duration. Use a donut probe or an ingrained thermochromic strip to measure real ink movie temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood in between prints, and control store humidity.
A third pitfall is ignoring material irregularity. If you change blanks mid-run since a size runs out stock, you may see shifts in color. Build contingency into your purchasing. For brands planning ahead, choosing a standard blank and locking it with your provider reduces surprises.
If your top priority is soft, breathable custom-made garments that clients keep using, water based inks are worth the learning curve. Use basic water based on light garments for clean detail and matte color. Move to discharge on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and plan for slight color difference with discharge, especially across color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will utilize, then document your settings and keep back a referral shirt for quality control.
If you run a print on demand catalog, carve out a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why DTG print resolution they are worthy of a place in any serious shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515