Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that individuals actually take pleasure in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has actually formed how I choose inks, pretreatments, and materials for customized garments tasks. For many years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce lovely results and genuine comfort, specifically for T shirt printing that requires to stand up to daily wear.
If you run a brand, handle bulk t t-shirt orders, or merely want your customized t-shirts to feel like a preferred from the very first wash, it deserves comprehending how these ink systems work, where they shine, and where they need care. The right choice can make the difference between a shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a film, water based inks absorb into the fibers. That single particular discusses the majority of the advantages and trade-offs. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is often indistinguishable from the shirt itself. For custom t shirts created for convenience, this is the course to the "retail feel" customers ask for.
There are two main households: standard water based and discharge. Basic water based Spot color ink works best on white or really light t-shirts. It can cover mid-tones with the right base, once you move into darker fabrics, you either require a heavier print or you change to release. Discharge printing uses an activator that lifts the color from the material during curing, basically whitening the t-shirt's color in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically consist of fewer volatile organic compounds than solvent-heavy options and prevent PVC altogether. Lots of are compliant with rigorous standards like Oeko-Tex or fulfill retail testing routines that prohibit certain phthalates and heavy metals. If you offer customized garments into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You likewise require to take a look at shop practices: purification on your washout cubicle, recover chemistry, energy usage on your dryer, and even material sourcing. Discharge requires an activator, usually based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run shop, exposure is controlled and waste is caught. If you're utilizing print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability hides in the details.
Most individuals do not purchase a graphic tee due to the fact that they enjoy the ink. They buy it because the garment looks great, feels good, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, provide you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often get from heavy plastisol when you extend across the chest.
I keep a shelf of contrast shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear clients prefer, but the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Different color lots discharge in a different way, even within the same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, but you're still dealing with a background that is shifting as the color is removed.
That's not a flaw, it's part of the medium. Many designers accept the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color recreation for business logo designs, either order test prints on the precise batch you plan to use or think about a water based underbase or hybrid approach where required. For wholesale t shirts that will be dispersed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just raises the cotton part. That implies your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, brilliant color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and irregular pressure that appear as blank micro-gaps. If you should print on finished garments, anticipate little spaces along seams, which some customers like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which works on fabric however can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a stable variety, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent rate, decrease clogging.
Curing is where lots of beginners fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the difference. You want even heat throughout the belt and enough dwell to reach the maker's treatment temperature level throughout the ink layer, not simply at the surface area. Shirts leaving the tunnel needs to be dry to the touch without any cool spots. For discharge, the chain reaction occurs during this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon appropriate remedy and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I measure sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and cracking. Water based prints show steady softening and a gentle fade in the exact same way jeans relaxes. Plastisol's failure mode is various, usually splitting if the ink layer is too thick or under-cured. For tailored t-shirts that require to look good at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be a little slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, autos perform at comparable speeds. Where it truly settles remains in perceived value. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs overnight turn-around and art modifications constantly, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t shirts with numerous colorways and need to keep inventory versatile, a versatile water based combination on light garments is effective, considering that you prevent the weight and tightness that build up with several underbases in plastisol.

Design planning starts with the fabric color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can complete with discharge, particularly on high-absorbency cotton. If you require razor negative space, separate the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and color lift.
There are times I encourage versus discharge. Polyester-rich garments are top of the list. The activator can cause color migration, specifically with sublimated or cationic-dyed performance shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor odor during treating, discharge days in the store are noticeable. Well-managed airflow mitigates this, but it is part of the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles often sink, and the effect is more satin Bella+Canvas t shirts than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that gets rid of uncertainty. A basic approach keeps surprises at bay and assists you hit due dates for launches and events.
Print as needed has its own restraints: quick art changes, little batch sizes, and the need for a broad color range. Direct-to-garment has become the default, but water based screen printing can fit POD if you organize brochure strategy. For styles that are high volume even at little day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel much better than lots of DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I describe what they are purchasing. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, frequently a little uplift that can be neutralized by selecting a slightly more cost-effective blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at superior cost points, the improvement in perceived worth more than covers the change.
For individualized shirts, such as charity runs or college clubs, options matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it easy and sensible so the t-shirt survives reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will endure normal laundering if effectively treated. I suggest phrasing care ideas in human terms on product pages: wash cold with comparable colors, topple dry low, prevent material softeners if you want colors to stay crisp. The last note matters due to the fact that some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I have actually tested these instructions in-house: 2 identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little faster fading of mid-tones, yet still looked excellent. That tolerance originates from correct treatment, not from babying the garment.
All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of combating joints, design for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brands that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the style requires it. The finished garments read as customized from a distance, which is the goal.
One spring we ran a series for a local music festival. The customer wanted soft black tees with a sunburst print that seemed like it lived in the fabric. We tested on 3 blacks from 2 mills. Batch one raised cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The result: constant tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the team to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the Pantone color matching ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temperature for the best period. Use a donut probe or an ingrained thermochromic strip to determine real ink film temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a constant rate on press, flood in between prints, and control store humidity.
A 3rd risk is ignoring material irregularity. If you change blanks mid-run since a size is out of stock, you might see shifts in color. Build contingency into your buying. For brand names preparing ahead, choosing a basic blank and locking it with your supplier decreases surprises.
If your priority is soft, breathable custom-made garments that consumers keep using, water based inks deserve the knowing curve. Use standard water based on light garments for tidy information and matte color. Move to discharge on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for small color variation with discharge, especially across color lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then record your settings and hold back a reference shirt for quality control.
If you run a print on demand brochure, take a water based capsule of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners Emulsion coating in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they are worthy of a place in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515