Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in continuous stress: the push for softer, more breathable prints that individuals actually take pleasure in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has shaped how I choose inks, pretreatments, and materials for customized apparel jobs. Over the years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely outcomes and genuine comfort, particularly for T shirt printing that needs to withstand everyday wear.
If you run a brand, manage bulk t t-shirt orders, or just want your customized t-shirts to feel like a favorite from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The ideal choice can make the difference in between a shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks absorb into the fibers. That single characteristic describes most of the benefits and trade-offs. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the shirt itself. For custom-made t shirts created for convenience, this is the path to the "retail feel" clients ask for.
There are 2 main households: basic water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either require a heavier print or you switch to discharge. Discharge printing utilizes an activator that raises the color from the fabric during curing, basically bleaching the t-shirt's dye in the printed locations, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks generally consist of less unstable natural substances than solvent-heavy options and prevent PVC entirely. Numerous are certified with stringent requirements like Oeko-Tex or meet retail screening programs that ban particular phthalates and heavy metals. If you offer custom-made clothing into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at shop practices: purification on your washout cubicle, reclaim chemistry, energy use on your dryer, and even fabric sourcing. Discharge requires an activator, typically based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is caught. If you're utilizing print as needed with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability hides in the details.
Most people do not buy a graphic tee because they like the ink. They purchase it due to the fact that the garment looks good, feels excellent, and keeps that character after duplicated washing. Water based inks, consisting of discharge, give you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often get from heavy plastisol when you extend across the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, vector vs raster for DTG the prints softened much more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under severe light, which some streetwear clients prefer, but the user feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, standard water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Different dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, but you're still working with a background that is shifting as the dye is removed.
That's not a defect, it's part of the medium. Many designers accept the somewhat vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color recreation for corporate logo designs, either order test prints on the exact batch you plan to use or consider a water based underbase or hybrid approach where required. For wholesale t shirts that will be distributed nationally, put example approvals into your process so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton part. That suggests your color saturates the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vibrant color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on finished garments, anticipate small spaces along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which works on fabric however can lock a mesh if you stop briefly too long. Running a higher mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a constant range, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will observe how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent rate, reduce clogging.
Curing is where lots of novices miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient airflow makes the distinction. You desire even heat throughout the belt and enough dwell to reach the producer's remedy temperature throughout the ink layer, not just at the surface area. T-shirts leaving the tunnel ought to be dry to the touch without any cool areas. For discharge, the chain reaction happens during this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon appropriate remedy and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine durability by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and splitting. Water based prints show gradual softening and a mild fade in the very same method denim unwinds. Plastisol's failure mode is various, typically breaking if the ink layer is too thick or under-cured. For customized shirts that need to look good at a household reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is often similar to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, vehicles run at comparable speeds. Where it truly pays off is in perceived value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs over night turn-around and art changes constantly, no minimum order shirts direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel compromises. When you handle wholesale t shirts with multiple colorways and should keep stock versatile, a flexible water based scheme on light garments is effective, because you avoid the weight and tightness that collect with multiple underbases in plastisol.
Design preparation begins with the material color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can complete with discharge, particularly on high-absorbency cotton. If you need razor negative area, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not catch fiber interaction and color lift.
There are times I advise against discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor smell during curing, discharge days in the shop are visible. Well-managed air flow alleviates this, but it becomes part of the process.
If a customer needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles often sink, and the effect is more satin than real metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow Halftone printing that gets rid of uncertainty. A simple technique keeps surprises at bay and assists you struck due dates for launches and events.
Print as needed has its own restrictions: fast art changes, little batch sizes, and the need for a broad color gamut. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you organize catalog technique. For styles that are high volume even at little everyday amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel better than lots of DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol job, I discuss what they are buying. They get the soft hand that retail clients equate with quality, enhanced breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, often a small uplift that can be neutralized by picking a slightly more cost-effective blank. If the program is for wholesale t t-shirts going into shops or e-commerce at premium price points, the enhancement in viewed worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, options matter. Offer a base price with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it easy and realistic so the shirt makes it through real life. Water based and discharge prints choose cooler washes and lower dryer heat, but they will sustain typical laundering if appropriately cured. I suggest phrasing care pointers in human terms on item pages: wash cold with comparable colors, topple dry low, prevent material conditioners if you desire colors to remain crisp. The last note matters because some conditioners can deposit movies on fibers, dulling the visual contrast of great lines.
I've tested these directions in-house: 2 identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little faster fading of mid-tones, yet still looked good. That tolerance originates from proper remedy, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of combating seams, design for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brands that sell minimal runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The finished garments check out as customized from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that felt like it lived in the material. We tested on 3 blacks from 2 mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the best duration. Use a donut probe or an embedded thermochromic strip to determine true ink film temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent pace on press, flood between prints, and control shop humidity.
A 3rd risk is overlooking material irregularity. If you switch blanks mid-run because a size runs out stock, you may see shifts in color. Construct contingency into your purchasing. For brands preparing ahead, choosing a standard blank and locking it with your supplier minimizes surprises.
If your priority is soft, breathable customized garments that customers keep using, water based inks are worth the knowing curve. Use basic water based upon light garments for tidy detail and matte color. Relocate to discharge on 100 percent cotton when you desire the softest prints on dark shirts. Accept and plan for small color variation with discharge, particularly across color lots. For bulk t shirt orders, build in a single round of physical tasting on the real blanks you will use, then document your settings and keep back a reference shirt for quality control.
If you run a print on demand catalog, carve out a water based pill of finest sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing but fiber, you have actually won. That's the moment water based and discharge provide, and why they are worthy of a place in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515