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This video is essential viewing for beginning and seasoned collectors. It will teach you how to distinguish between authentic Navajo weavings. Because the type of weaving determines the price of the textile, it is essential that you know the difference between a Navajo Navajo rug and a Navajo cloth. Dr. J. Dr. J. Sublette discusses how to properly care for authentic Navajo rugs.
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It’s a textile woven for the tourist trade in southern Mexico and Guatemala. It can be cut apart where the warps aren’t woven or displayed as is. It’s genuine Navajo and is a variant of the Storm Pattern. I don’t have size information, but in good condition, a rug like this should be worth about $100 per square foot. This is a twill double saddle blanket. The require quite a bit of skill to weave, but for some reason they never get the auction value that they should. Figure an auction value of $350 to $600 and a retail of $750 to $800. I purchased a Two Grey Hills rug at Toadlena Trading in 1984. I decided to splurge and bought a rug from a master weaver. I packed the rug away years ago and sadly lost the original info on the weaver. Is there any possible way to find out the weaver of this rug by the design etc? I would be more then grateful for any suggestions!
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While basic knowledge of regional characteristics is useful in the study of Navajo rug ID, in the Navajo nation today a rug with a regional name such as Two Grey Hills may have actually been woven by a weaver from a completely different region. To aid in Navajo rug ID, there are certain ones that can be identified by their distinctive colors, others by the bands of color and the designs within those bands, and certain others by their distinctive designs. The Ganadoand Klagetoh tend to have simpler designs than the similar Two Grey Hills, and Burntwater rugs.

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With them being highly popular today, there are plenty to choose from, no matter what your budget. Enjoy these unique and highly-prized rugs just as others have over the course of their 500-year existence. If there is a bundle of warps at the edge of each side, then it is unlikely that the rug is genuine. Very few Navajo rugs will have such bundles and even then there would be only two or three warp threads that would make up that bundle and there would be only a single warp thread next to that bundle. Most Navajo rugs have side cords as I described and virtually no Navajo rugs have warp thread fringe at both ends.
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The Spanish introduced the longer than wide serape form that was easier to make on European-style looms. Mantas and serapes were generally used in the same way: wrapped around the shoulders with one long edge turned over as a “collar.” However, mantas also were used by women as wrap-around dresses. Serapes only rarely had a slit in the middle for the head which made them ponchos. Navajo weavers made both the manta and serape styles during the eighteenth, and nineteenth centuries along with shirts, dresses, breechcloths, and sashes.

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These blankets were highly valued trade items among tribes that did not have weaving traditions of their own. Even at that time, Navajo blankets were expensive to acquire, so only the most affluent tribe members could afford one. Plains cultures, in particular, valued Navajo blankets for their warmth, comfort, and visual beauty. A man on horseback wearing one of these weavings could be identified by the design of his blanket before his face’s features came into view. In terms of the Navajo weaving traditions, Navajo wearing blankets were only made for about 50 years. The end of the era came as mechanical weaving technologies advances signaled the end of the art form as affordable commercial blankets such as those produced by Pendleton Woolen Mills became widely available.
