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So how much do Navajo Rugs Cost? This Navajo Rug cost and pricing guide is designed to help you develop an initial budget and understanding of Navajo Rugs. There are several things to consider when purchasing quality Navajo Rugs.
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However, the absence of fringe does not necessarily mean that you are looking at a Navajo blanket or rug. Mexican weavers sometimes tuck in the warp ends to make it appear continuous even though it isn't. These cases result in the weaving being thicker at the ends, and then thinner out. Second, be aware of the presence or absence of lazy lines. A lazy line is a 45-degree angle, diagonal line that forms when the Navajo weaver creates a rug. One can help identify authentic Navajo rugs. However, knock-off rugs may also have similar lines. As the weaver works, a lazy line forms. The weaver is seated in front of the loom, and begins weaving the weft yarn into the desired pattern. The weaver then shifts to another section. It creates beautiful lines in the rug's body by working this way.
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This article provides a short history of Navajo weaving. This article by Dr. J. explains how authentic Navajo blankets are made and the terminology involved. Mark Sublette CEO of Medicine Man Gallery.

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These Navajo rugs were made before 1950. These rugs have a sense of history.The contemporary ones, on the other hand are those that were woven between 1950 and the present. The antique ones, however, are more expensive than the other. Asking the merchant is the best way to determine if the rug is antique. The weaver should be known if the rug is from before 1950s.
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They are more likely to incorporate natural wool colors and more subdued chemical shades. Yeis continue to be very popular with collectors and are now being made in nearly all parts of the reservation. Although rugs have been the predominant product of Navajo looms over past century, weavers have continued to make other types of products, if on a smaller scale. Navajo culture thoroughly embraced the horse in the late 19th century, and saddle blankets were commonly produced until the 1950s.


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This is accomplished by alternating weft threads of two contrasting colors and tightly “battening” or packing them together, giving the effect of a thin, undulating line. Starting in the 1940s, Sally and William Lippincott, owners of the trading post at Wide Ruins, Arizona worked with the weavers in their area to develop highly detailed banded patterns rendered in vegetal dyes. Most Wide Ruins rugs are characterized by very fine, tightly-spun yarns and a flat, even weave. They feature the full range of new vegetal colors including soft green, mauve, terra cotta, and pale purple, pink and blue as well as the more common yellow, gold, brown, and tan. Burntwater, another center of vegetal dye weaving near Wide Ruins, has given its name to a distinctive rug type which combines the bordered, central geometric designs of modern Ganado and Two Grey Hills rugs with bright pastel, vegetal colors.