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This video is by Medicine Man Gallery CEO Dr. J. Mark Sublette will demonstrate how professional art dealers buy and value authentic Navajo rugs. You should see this video, whether you are just starting your collection or have been collecting for years. The Navajo Chief's blanket may be the most loved of all Navajo blanket designs. Native American art expert Dr. J. Mark Sublette explains what authentic Navajo Chiefs blankets look like. Navajo textile expert, Dr. J. Mark Sublette explains the process of dating Navajo blankets. This video provides an overview of the characteristics and what to look for in authentic Navajo blankets of different ages.
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During the last two decades of the 19th century, most Navajo blankets were woven of spongy, loosely spun yarns most frequently dyed with aniline reds, oranges and yellows. Banded Blankets made with simple stripes of contrasting color were descendents of the earliest Navajo weavings. A more complicated type of design was derived from Hispanic Saltillo serapes which featured brightly colored patterns of serrated diamond shapes. Weavers frequently outlined the small serrated patterns with a single yarn of contrasting color to heighten the visual complexity and impact.
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To aid in Navajo rug ID, there are certain ones that can be identified by their distinctive colors, others by the bands of color and the designs within those bands, and certain others by their distinctive designs. The Ganadoand Klagetoh tend to have simpler designs than the similar Two Grey Hills, and Burntwater rugs. Ganado rugs always have a red background. The distinctivered color is often called a ‘Ganado Red.’ The design, based on a centraldiamond or two, will be in black, white, and grey in the center of the field.

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This article offers a brief history of Navajo weaving. Learn the history, styles, and terminology of authentic Navajo blankets and rugs in this article by Dr. J. Mark Sublette, CEO of Medicine Man Gallery. In this article, Dr. J. Mark Sublette discusses Navajo rugs from the 1920s to the present day, including history, different kinds of dyes, and regional and trading post styles such as Navajo Crystal, Wide Ruins, Burntwater, and pictorials. This article discusses exemplary authentic Navajo Blankets that were featured in Masterpieces from the Loom, a 2011 exhibit at Medicine Man Gallery. DIscussed are Navajo Chief’s blankets, transitional blankets, Germantown pictorials, and more early Navajo blanket styles.
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I am available to help identify textiles for $20-50 per piece. The Eyedazzler was the most common name for the weaver. Some people may call it a squash bloom. The banded rug at the top isn't a traditional style. Some people might call it a saddle blanket or chief blanket design.
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The weavers around Two Grey Hills developed very complex geometric patterns, usually based on a large, hooked central diamond with multiple geometric borders. They also were known for very finely spun wool of small diameter which they used to make very thin, dense, and tightly woven rugs that are certainly the greatest technical achievements in the history of Navajo rug making. Many of the women who weave for nearby Taodlena Trading Post carry on this tradition of quality. The most finely woven rugs are often called tapestry rugs. Beginning in the 1920s, weavers and traders developed several new regional styles based on a revival of early banded patterns and the predominant use of vegetal dyes.
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Navajo rugs are often made with a side-selvage cord. To maintain a straight edge, Navajo weavers use a twisted side-selvage cord. Although a fringe is more reliable than a side-selvage cord, the presence of a cord can be a strong indicator that the cord is Navajo. Mexican weavers use three to four warps, or even one very thick warp or rope, to keep their pieces straight. You can see the fringe on a rug that has outside warps that are visible thicker. This is evidence that the warp ends were sewn back in.
