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Remember that if you feel uncomfortable with a rug or are unsure if it's authentic Navajo rug, don't buy it. For authentic Navajo rugs make sure you work with a trusted dealer. This video is a must-see for both new and seasoned collectors. It is crucial that you are able to distinguish between a Navajo Navajo carpet and a Navajo quilt. The price of the textile is dependent on the weaving. Dr. J. Mark Sublette explains how to care for authentic Navajo rugs. This video is a must for anyone who is interested to collect authentic Navajo rugs. Dr. J. Mark Sublette covers the pitfalls, and condenses 25+ years of experience into one tutorial.
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Most raised outline rugs also use the technique of alternating single weft threads of two contrasting colors. When tightly battened, they give the appearance of very thin stripes running parallel to each warp thread. As with any collecting specialty, there is so much to learn about Navajo weaving that it can seem overwhelming for the beginner. The best way to learn is to look at as many weavings as you can in galleries and museums, and don’t be afraid to ask questions! Soon you’ll be matching the terminology to the weavings and you’ll begin to feel a surge of confidence. When you decide to buy, focus on a reputable dealer who will take time to answer all your questions simply and directly, and make sure they are willing to give you a written guarantee of authenticity. Happy collecting!
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Burntwater, another center of vegetal dye weaving near Wide Ruins, has given its name to a distinctive rug type which combines the bordered, central geometric designs of modern Ganado and Two Grey Hills rugs with bright pastel, vegetal colors. Weavings that incorporate images of objects and people in their designs have slowly gained in popularity since the early days of rug-making. Such Pictorial Rugs may include small representational images within a larger geometric design, or may consist primarily-even solely-of a picture. Small pictorial motifs such as feathers, arrows, animals and other common objects may have held some personal significance for the individual weaver. As the modern trappings of Anglo culture filtered onto the Reservation, strange new objects such as cattle, trains, American flags, and letters of the alphabet caught the fancy of some weavers.

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Compared to the other types of rugs, the weaving method is a bit different which is both a tricky and exhausting process. Because, these rugs are made with handlooms which are operated manually. Back in that time, the weavers used to set up their looms between two trees. But nowadays, they use poles instead of trees and sit on a small tool or just on the floor while weaving on the loom. The weavers overlap the threads in several stages for a perfect base pattern and then put layers of other designs over them. Often black and white stripes on them are known as distinctive patterns by which people can recognize these rugs. If you notice the wool and fabric of the Navajo rugs, you can surely tell the difference from other types of rugs. The Navajos made high-quality hand-spun wool from their own sheep for using on the rugs. Besides, they used a special type of yarn named Saxony, which was silky and naturally tinted. So, these rugs were made with all-natural components, which ensured the high quality of the Navajo rugs. Besides, it was difficult to spin these wools, which made these rugs so expensive as a price of the exhausting work and effort of the weavers. Some unique designs of the Navajo rugs made them distinctive and special. These rugs hold different types of geometric patterns on the surface, which are quite unique from most other rugs. As we have discussed before, the Navajo weavers overlap different yarns on their handlooms for several strips of design. These stripes were extremely thin but distinctive among the hundred other stripes on the same rug.

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This article provides a brief history on Navajo weaving. This article is by Dr. J. and explains the history, styles and terminology of authentic Navajo blankets, rugs, and rugs. Mark Sublette, CEO at Medicine Man Gallery. This article is by Dr. J. Mark Sublette talks about Navajo rugs, from the 1920s through the present. He also discusses history and regional and trading post styles like Navajo Crystal and Wide Ruins. This article will discuss the exemplary authentic Navajo Blankets featured in Masterpieces from the Loom 2011, an exhibit at Medicine Man Gallery. The article will discuss Navajo Chiefs blankets, transitional blankets and Germantown pictorials as well as other early Navajo blanket designs.
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The Wide Ruins style is the most elaborate and usually themost finely woven of the banded rug styles. It evolved from the Chinle. These rugs will have broad strips of plain color, some with geometric designs and with verynarrow bands with delicate motifs, combined with thin, straight lines ofcontrasting colors. The shapes found within the broader bands are oftenoutlined with a different color. The main colors are browns, olives, maroons, and mustardsaccented with a color such as white, red, or black. This rug originates from the Wide Ruins, Pine Springs, Burntwater, and Standing Rock region of the Navajo Nation.
