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A more complicated type of design was derived from Hispanic Saltillo serapes which featured brightly colored patterns of serrated diamond shapes. Weavers frequently outlined the small serrated patterns with a single yarn of contrasting color to heighten the visual complexity and impact. This patterning technique became known as the Eyedazzler and continues to be popular to the present day. Both the banded and diamond pattern homespun blankets of the late 19th century are generically known as Transitional Blankets because they signaled the end of Navajo blanket production and ushered in the era of the Navajo rug.

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Despite the excellent quality of these blankets, no more than a hundred exist today. The blanket was lot #1062 in an auction at John Moran’s, and was expected to sell for $100,000-$200,000. Clearly it sold for many times that number, and I only hope that whoever bought it is not inspired by my childhood antics, and leaves the Navajo blanket in a temperature and light controlled glass case instead of snuggling with in their car! Native American history is best told, not in schoolbooks, but in their art. And, some of the most revealing pieces of this cultural heritage are textiles. Pieces like this Navajo chief’s blanket tell a story of the Native American community, spirituality and struggle for survival.

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Also called a serape, this blanket was made during the tribe’s internment in eastern New Mexico in 1865. Woven in rich reds, the piece is striking as much for its color as for the bordered design. Red was extremely hard to come by then, especially by the Native Americans. Their way around this was to unravel machine made rugs, and re-weave the thread into their own designs. But this design is also rare, and shows the growing intrusion of the outside world not on just the Navajo culture, but their art as well. Notice the partial borders at the blanket’s four corners. Bordered textiles were a popular theme of the time, picked up from the detailing seen on exotic Oriental rugs. Their use here suggests the weavers had seen such rugs – though most likely through photographs – and copied the style.

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Regional characteristics of a Native American rug can be useful in identifying it. Navajo rugs don’t have borders and feature horizontal bands, while Two Grey Hills rugs typically have elaborate designs. Navajo rugs are often made with natural vegetable dyes. They may also contain designs and patterns added by other people. Typically, the weaving style is similar to Navajo textiles. The two rugs can be identified by their colors and pattern.

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Another way to check the authenticity of the Navajo rug is to look for lazy lines. Lazy lines appear as a diagonal line in the weave of the fabric. During the weaving process, the rug maker would move to work on adjacent sections of the warp, resulting in the subtle diagonal lines referred to as lazy lines. These lines would be almost impossible to detect by looking at a photograph of the rug online.

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Are you attracted to the beauty and craftsmanship of Navajo rugs but confused by all the terminology being thrown around in the galleries? Here’s a brief history of Navajo weaving that will help you sort out the most common terms, and give you a head start when you venture out to shop for these fascinating examples of Native American art. The Navajo (Dine [dih-NEH] in their own language) are Athabascan-speaking people who migrated to the Southwest from Canada in about the 15th century. Navajo women learned weaving in the mid-1600s from their Pueblo Indian neighbors who had been growing and weaving cotton since about 800 AD. Spanish settlers had brought their Churro sheep to the region in the early 1600s and introduced the Navajo to wool.

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These are small, loosely woven, pictorial mats meant for the tourist trade and woven in Gallup, New Mexico. They were small, inexpensive and easy to transport, making them popular souvenirs for visits to the Navajo Nation. Gentle scrubbing continues. Note the wringer in the background-the next step in the washing process after rinsing. After thorough rinsing, the rug is sent slowly and carefully through the wringer to take out as much of the water as possible before being hung on racks in the drying room. Learn all about antique Native American Art while having fun! Joining Red Mesa Gallery News gets you your Navajo Rug checklist, monthly updates, offers and promotions re all things antique native american art. Quit anytime!

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