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Section LinesMany Navajo rugs will have what Indian arts dealers call, "lazy lines." It is an inaccurate and insulting term that I hope will be replaced by the term, "Section Line." The section line line is a diagonal joint or break in the weave where a weaver has worked on a single section of the rug without having to reach all the way across the rug. She weaves one section, then moves over and weaves another section. This creates the diagonal section line. Not all Navajo rugs have section lines. The end borders in Mexican imitation Navajo rugs are generally much wider than in a genuine Navajo rug. Side borders are often wider as well. If the rug has fringe at both ends that are extensions of the warps, then it is not a genuine Navajo rug.
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Any handmade imitation Navajo rug made in the United States would probably be woven with the firm intentions of deceiving the buyer. There would hardly be any other reason for a American non-Indian to put in the time and effort required to weave a convincing fake. Because of the economics and the work required, there are very few US made fake Navajo rugs.
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There will usually be 3bands of wavy lines or a solid color between one or two more complex bands,which are patterned with motifs such as squash blossoms, arrows, stars, crosses, triangles, etc. Muted earthen colors such as rust, grey, and rich brown, aswell as pastel greens, pinks, or yellow are common. This design was said to be influenced by the serape blanketsworn in New Mexico.The design is usually a simple geometric shape such as a chevron, diamond,serrate, or triangle, etc. These are either repeated throughout the rug or as a border or evencan appear in blocks set against a solid background. The design will appearquite busy and can have a combination of colors.

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Klagetoh rugs are similar to Ganado rugs. The background,however, is grey. The center design is usually an elongated diamond with black,white, and red colors. Natural wool colors are used, except the red and theblack may have some commercial dye. With this rug, the grey can be brownish oreven tan, depending upon the fleece of the sheep used. These rugs are woven of natural, undyed, hand spun wool withdesigns of white, black, and brown. These weavers card together wool fromdifferent sheep to produce subtle shades of the white, black, and brown. It is possible to find several different shades of gray, brown, and tan in thesame rug.
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Yes, it’s a Chief Blanket variant. It combines elements of the Third Phase Chief Blanket with what are called Moqui blankets, which have black and blue stripes and are associated with the period when many Navajos were indentured servants in Hispanic homes in northern New Mexico. The fakes or reproductions that are generally encountered originate in Mexico, Ukraine, India and Pakistan with a few forgeries made in the United States. The fake rugs from Mexico are woven on a horizontal Spanish/European style loom. The warps are attached to the loom at each end. There may be a cabled bundle of warps at each side to provide dimensional stability during weaving but there will be no side cords as in a genuine Navajo rug. When the rug is finished, it is detached from the loom and will now have the warp ends dangling from each end. To fake a Navajo rug it is now necessary to darn the ends back into the body of the rug. While doing this, a non functional set of end cords is applied. Side cords might also be attached in order to complete the fake.


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Hubbell’s home and base of operation were at Ganado, Arizona about 50 miles south of Canyon de Chelly. His tastes ran to Classic Period weavings and many of the early rugs made by Ganado area weavers were close enough in appearance to classic mantas and serapes to have earned the generic name, Hubbell Revival rugs. Hubbell guided his weavers by displaying paintings of rug patterns he favored. Many of these paintings can still be seen at the original trading post, now preserved and operated as a National Historic Site. By the 1930s, Ganado area weavers had thoroughly adopted the color scheme, but had moved away from Classic-inspired weavings to new patterns with a large central motif-often a complicated diamond or lozenge shape-with a double or triple geometric border.
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After World War II, however, more weavers began making pictorial weavings, frequently filling a small rug with a single scene. Types that have been especially popular since the 1970s include landscape scenes which usually feature red cliffs or mountains, blue sky and clouds, juniper and pine trees, hogans, farm animals, trucks, and people. Another common format is called the “Tree of Life” pattern, consisting of a corn stalk rising from a Navajo wedding basket, with birds adorning the leaves of the cornstalk. Despite the obvious symbolism of patterns such as the “Tree of Life,” most pictorial motifs had no specific religious meaning; they simply were objects common in the culture or of special interest to the weaver.
how to tell authentic vintage native american saddle rugs