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On that note, the factors that are true for the natural dyes of the Navajo rugs are true for the material.
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The Wide Ruins style is the most elaborate and usually themost finely woven of the banded rug styles. It evolved from the Chinle. These rugs will have broad strips of plain color, some with geometric designs and with verynarrow bands with delicate motifs, combined with thin, straight lines ofcontrasting colors. The shapes found within the broader bands are oftenoutlined with a different color. The main colors are browns, olives, maroons, and mustardsaccented with a color such as white, red, or black.
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They were experts in beautiful, eye-catching design. They even added their own personal touches to the overall design. Sometimes, a symbol can add a personal touch. You will often see lightning bolts and sun rays as well as crosses, triangles and other shapes.

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The name Saxony refers to high-quality, silky, and naturally dyed years. Now, when it comes to natural dyes, they are way better than artificial ones. The natural dyes last longer, have a better vibrancy and do not fade away that easily. That is why Navajo rugs last longer than the others.
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Nevertheless, sand painting rugs were very rare before the 1960s when weavers in the Ganado area began producing them in larger numbers. Although they are not sacred objects in themselves, rugs showing sacred sandpainting images have always been somewhat controversial within the Navajo community, and many weavers still decline to make such representations. Yei pattern rugs feature images of the Holy People drawn from ceremonial sand paintings but do not recreate an entire painting. Typically, the Yeis are highly stylized figures with elongated bodies, short straight legs, and heads facing the viewer.
