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The design of this style of Navajo rug usually portrays a cornstalk or a tree growing out of a basket. There will be brightly colored birds, some recognizable such as Cardinals or Woodpeckers. Some will be flying, others perched or sitting around the basket. Often, butterflies, small animals such as rabbits and squirrels, as well as bright flowers and vines will be present.
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At the turn of the 20th century, there was growing interest in the rest of the world for all things Native American. Tourists from the rest of America, and beyond, would come to the Southwest in search of authentic souvenirs. The exotic designs caught on and remain popular to this day. Over the course of the 20th century, various types of designs sprang up, providing added variety to Navajo rugs, which became widely admired.
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Authentic Navajo rugs are made by hand, often over a period of several years, and are usually made of quality sheep wool. They can cost thousands of dollars and are meant to be heirlooms for generations to come. Authentic Navajo rugs have unique designs, such as the Teec Nos Pas rugs from northeastern Arizona. This uniqueness makes each piece more beautiful and adds to the price tag.

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The storm pattern’s precise origin is uncertain-one story suggests it was developed by a trader on the western side of the Reservation-but the weavers at Crystal developed this concept into one of the most popular and lasting of all Navajo rug patterns. Not far from Crystal was the Two Grey Hills trading post, known for weavings in which no dyes were used. Instead, weavers carefully combed and spun different natural colors of yarn to yield a beautiful range of creamy whites, tans, browns, and greys. (To get a solid black color, weavers sometimes would overdye dark brown wool with black dye.) The weavers around Two Grey Hills developed very complex geometric patterns, usually based on a large, hooked central diamond with multiple geometric borders.
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Serapes only rarely had a slit in the middle for the head which made them ponchos. Navajo weavers made both the manta and serape styles during the eighteenth, and nineteenth centuries along with shirts, dresses, breechcloths, and sashes. These early weavings made before the 1870s are very rare, bringing tens of thousands of dollars-or more-from collectors and museums. The so-called Chief’s Blanket is a specific style of manta that went through a distinct design evolution.


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Here's a Zapotec rug. The fringe is visible at its bottom. This rug is most commonly confused with a Navajo weaving. These rugs have a lot of skill in weaving, as the yarns are often spun and hand-dyed by skilled artisans. There are fewer patterns than what you might see in a typical Navajo piece with the same color choices. I can assist you in identifying textiles at $20-50 per article. Send me information on the textile you would like to learn more about by clicking here. The Eyedazzler would have been used to call the weaver. There may be others who call it a Squash blossom. The top banded rug isn't designed to be used in any specific regional style. Some people might call it a saddle blanket or chief blanket design.
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They knew the importance of beautiful, eye-catching design. They often added their personal touches to the overall rug design. Sometimes the personal touch can take the form of a symbol. Typically, lightning bolts are seen along with sun rays. All these symbols have a significance, which indicates what the weaver was thinking at the time they began to weave the rug. It is one of the special things about these rugs. Navajo rugs tend to be more expensive than other rugs. The Navajo rugs cost more because of their outstanding craftsmanship and history. It will not be easy to compare a Navajo Navajo rugs with something made in a modern factory. If you are considering a Navajo rugs you should know that it is a work of art with a rich past and is of exceptional quality.
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